From Origami to Essence: The Making of Mica

In this latest post, Chris Bennett shares the evolution of his portrait of Mica—from early inspirations drawn from Whistler and the delicate folds of Egyptian cotton, to a final painting that moves beyond reference and becomes a quiet homage to the mystery of human presence itself.

Two images of the genesis of my portrait of Mica. She chose to wear a beautiful dress of Egyptian cotton, such that she appeared enfolded in the cream petals of an origami flower. But sitting in profile on the French rocker she also reminded me of Whistler’s painting of his mother with a hint of the expression in his portrait of the young Cicely Alexander.

Mika (first state) 70 x 70 cm

And so, the excitable first state of the painting gave way to the final version, no longer about the Whistlers, no longer about origami and the East, but a celebration of the young lady herself and what her presence told of the mystery that which brings us into being.

Mika II 54 x 70 cm Oil on panel

Chris Bennett

Chris Bennett at Mill Tye Gallery

If you’ve found these insights into my painting process intriguing, I invite you to experience the works firsthand at my upcoming exhibition, The Girl in the Moon.

Opens Saturday 3rd May 2025

Mill Tye Gallery – First Floor Art Studio Space.

Join us for an intimate gathering where we can continue the conversation in person. I’ll be on hand to discuss the artistic techniques and philosophies that shape my work, giving you a deeper understanding of how abstract forces

and subconscious meaning come to life on the canvas.

Enjoy complimentary drinks and fine refreshments as you explore the exhibition and immerse yourself in the latest collection. This is a rare opportunity to see the finished paintings up close and engage in a dialogue about the art beyond the subject.

I look forward to seeing you there.

Discover more and RSVP at: www.milltyegallery.co.uk/exhibitions