In Theme with Her: The Harmony of Form and Surrounding

In this portrait, Chris Bennett explores the subtle power of the Apelles palette and the essential relationship between subject and setting—where even the background breathes life into the figure.

"The Young Woman with Chestnut Hair" — a study in harmony using the restrained beauty of the Apelles palette, where every surrounding brushstroke supports the quiet presence of the sitter.

An example of a small portrait here and painted with what is sometimes called the ‘Apelles palette’ after the 4th century BC painter of that name who used just four pigments: lead white, ivory black, red ochre and yellow ochre. A palette close to one often used by Rembrandt, such that it employs frequent use of ‘optical greys’, that’s to say; cool colours achieved by lighter shades applied over darker ones. The single head always risks looking like a target surrounded by the inconsequential, undermining how the effect of a painting always depends on the overall structure of the image. In this case the ‘background’ forms must play as vital a part as the centred ‘foreground’ form. It’s very like in a movie where the supporting cast must be in proper relation to its star, because their performances are the dramatic oxygen for the main player. Hence the role of what surrounds this young woman with chestnut hair is to be ‘in theme’ with her.

Chris Bennett

If you’ve found these insights into my painting process intriguing, I invite you to experience the works firsthand at my upcoming exhibition, The Girl in the Moon.

Opens Saturday 3rd May 2025

Mill Tye Gallery – First Floor Art Studio Space.

Join us for an intimate gathering where we can continue the conversation in person. I’ll be on hand to discuss the artistic techniques and philosophies that shape my work, giving you a deeper understanding of how abstract forces and subconscious meaning come to life on the canvas.

Enjoy complimentary drinks and fine refreshments as you explore the exhibition and immerse yourself in the latest collection. This is a rare opportunity to see the finished paintings up close and engage in a dialogue about the art beyond the subject.

I look forward to seeing you there.

Discover more and RSVP at: www.milltyegallery.co.uk/exhibitions